It was doing nothing for me. When I returned from holiday with a fresh set of eyes and I looked at the space I had not lived in for a week, I decided that I was just going to paint the white walls out with the rest of the tin of Railings. I felt I was ready to take the plunge! The office now looks like this:. Overall I am happy with going all dark in the room. The room feels more cohesive now and I love how the gold accessories work with the dark navy. The room makes more of a statement and I enjoy being in here. However - what about the cons?
I've made a list of my pros and cons of going to the 'dark side' to help you decide if it is the right thing for you in your home:. It makes art and other objects against the walls stand out - The dark hue provides a perfect backdrop for art, photographs and other decorative items as it really highlights them and draws the eye. Going dark is therefore a really good idea for a room where you have a lot of stuff going on.
It looks better in photographs - The camera seems to love a dark wall, and will pick out the items in front of it better.
Great if you are someone who loves to share pictures of their home on social media. It works best if you also own yellow furniture or home ware - Yellow works so well with a darker hue, be it black, navy or a deep green. I love my Bird Girl artwork placed on top of a Railings background. This lovely mustard DFS armchair below also works so well with this dark backdrop:.
It makes the room feel warm and cosy - There is a whole understanding that if a room is low on light and small, you paint it white to make it feel bigger - wrong! Embrace the small dark room by painting it a dark colour. The darker walls really give a feeling of warmth and cosiness and are the perfect backdrop for a few scented candles or a roaring fire. It's a bold and brave statement - Why be like everyone else?
Be bold and dramatic with your decor! The question of desirability, of who we believe is worthy of love, is what led me to read more about colorism. As I imagined her life, I realized how much color would play into her experience. I went deeper into my colorism research, and what I found let me know that colorism is still alive and well.
I started with the marriage market, and found out dark-skinned women are less likely to be married than lighter-skinned women. But colorism shows up in even starker ways: the difference in pay rates between darker-skinned and lighter-skinned men mirrors the differences in pay between whites and blacks. Darker-skinned women are given longer prison sentences than their light-skinned counterparts.
And this discrimination starts young — if you are a dark-skinned girl, you are three times more likely to be suspended from school than your light skinned peers. Even more insidious, colorism even affects how we are remembered. Lighter-skinned black people are perceived to be more intelligent. Educated black people, regardless of their actual skin color, are remembered by job interviewers as having lighter skin.
The daily toll of living with colorism is inescapable. Darker-skinned people report higher experiences of microaggressions; heavier-set dark-skinned men report the highest levels of microaggressions.
All of this affects our mental health and wellbeing. Darker-skinned black women report more physiological deterioration and self-report worse health than lighter-skinned women.
Taking all of this into account, I cannot help to think how the weight of history comes to bear on our daily living today. Wage and punishment inequity and our skewed perception by the professional world make more sense to me, because they operate on the cold logic of white supremacy. They are describing interactions with a wider, non-black world and take into account how both white and black people view skin color.
To understand colorism, perhaps, we have to understand self-perception.
The best research tends to use color palette to ask people how they see themselves. I began to realize the importance of distinguishing between colorism as practiced by white power structures like courts, schools and businesses, and colorism as practiced within the black community, evidenced when we talk about marriage statistics and measurements of color.
The former seems easier for many black people to acknowledge. The latter is less explicitly talked about. To do so is to begin to unpack internalized white supremacy, something most people are unwilling to do because it can be so painful.
When the conversations do arise, they often get stuck on personal experiences — the proverbial light-skinned girl who claims all the girls hated her in junior high, or the dark-skinned girl who says the same. Rarely do we point to how these experiences are part of a long, complicated history. But if we can trace the origins of colorism we can perhaps begin to find a way to heal from it. As long as colorism has existed in our communities, there has been a vested interest in denying its existence.
The term does not appear until It is significant that an attempt to define this phenomenon came from black womanist theory, a field of scholarship that attempts to link the knotty legacies of race, gender, exploitation and self-actualization. And it makes sense that Walker would deem colorism worthy of study since its effect is keenly felt by black women due to its ties to perceived attractiveness, femininity and sexuality.
Pink tulips in the botanical gardens of Moscow State University. A Japanese cherry tree Prunus serrulata in bloom. In the 17th century, the word pink or pinke was also used to describe a yellowish pigment, which was mixed with blue colors to yield greenish colors. In William Salmon 's Polygraphice , "Pink yellow" is mentioned amongst the chief yellow pigments p. According to public opinion surveys in Europe and the United States, pink is the color most associated with charm, politeness, sensitivity, tenderness, sweetness, softness, childhood, the feminine, and the romantic.
Pink was the favorite color of only two-percent of respondents, compared with forty-five-percent who chose blue. There was a notable difference between men and women; three percent of women chose pink as their favorite color, compared with less than one percent of men. Many of the men surveyed were unable to even identify pink correctly, confusing it with mauve. Pink was also more popular with older people than younger; twenty-five percent of women under twenty-five called pink their least favorite color, compared with only eight percent of women over fifty.
Twenty-nine percent of men under the age of twenty-five said pink was their least favorite color, compared with eight percent of men over fifty.
In Japan, pink is the color most commonly associated with springtime due to the blooming cherry blossoms. In English "rose", too, often refers to both the flower and the color. In Icelandic, the color is called bleikur , originally meaning "pale". There is a separate word for the color of the cherry blossom: sakura-iro. Early pink buildings were usually built of brick or sandstone , which takes its pale red color from hematite, or iron ore. In the 18th century - the golden age of pink and other pastel colors - pink mansions and churches were built all across Europe. More modern pink buildings usually use the color pink to appear exotic or to attract attention.
Malbork Castle in Poland, built by the Teutonic Knights in , is the largest brick structure in the world. Casa Rosada , or the "Pink House", in Buenos Aires , built between and as a fort and then customs house, is the official residence and office of the President of Argentina. Ostankino Palace , outside of Moscow, is an 18th-century country house built by Pyotr Sheremetev , then the richest man in Russia.
Macau Government Headquarters , an example of Portuguese colonial architecture and the Pombaline style in Macau. Its pink color was designed to match an exotic setting, and to contrast with the blue of the sea and green of the landscape. Canada Place Building , in Edmonton , Alberta , Canada a post-modernist style government office building.
According to surveys in Europe and the United States, pink is the color most associated with sweet foods and beverages. Pink is also one of the few colors to be strongly associated with a particular aroma, that of roses. The drink Tab was packaged in pink cans, presumably to subconsciously convey a sweet taste. The pink color in most packaged and processed foods, ice creams, candies and pastries is made with artificial food coloring.
The most common pink food coloring is erythrosine , also known as Red No. Some products use a natural red or pink food coloring, Cochineal , also called carmine , made with crushed insects of the family Dactylopius coccus. A strawberry ice cream cone. Strawberry is the fourth most popular ice cream flavor in the U. Cotton candy was first made for the French Royal Court in the 18th century, but did not become popular until the beginning of the 20th century, when an American dentist invented a machine for spinning it quickly and cheaply.